Depleted…

… despite the blue skies and crisp air. Recovering from a deadline the day before and generally feeling the weight of things. Not helped by, in site related news, my Reading page still eluding me. I want a simple route to embed books without supporting amazon and the like and may have to resort to photographing covers myself.

Emotion of the day number 17, with thanks to Be Manzini

Bifurcating…

…split or torn would have suggested too much force whereas I am trying to describe a deliberate separation to be seeking respite and hibernation whilst keeping part of me present, responsible and alert to the current crisis. I’ve learnt leaving this post series too long makes it much harder to start lightly and fluidly as it was intended.

Emotion of the day number 16, with thanks to Be Manzini

Strata I Sketchbook

Documenting this sketchbook helped hone why they’re such a key part of how I develop work. Continually reframing the composition of pages and elements I revisited the textures, surfaces and shapes I was interested in when putting the pages together. I tend to work with several projects in mind with so much not realised in sculptural form. Sketchbooks continue alongside making and documenting and bringing them online has added another dimension to the research and revisiting process.

Sketchbook highlights

Strata I Sketchbook slideshow

  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)
  • Strata I. Documenting my approach to research and sketchbooks (credit: Anna Kime)

Reverential…

Emotion of the day number 15, with thanks to Be Manzini

…a suspicion formed that the later in the day I wrote these posts the more maudlin prone they are. So I set the vague area of emotion much earlier on and in honour of a dear friend who I saw for Bragazzi’s coffee, crisp winter walking and most valuably continuous, ranged and insightful conversation that was so needed.

Toilworn…

Emotion of the day number 14, with thanks to Be Manzini

…before settling on Toilworn I went from slog to toil to toiling, enjoying learning the verb toil comes in part from Latin tudiculare to crush, grind. I’m toilworn in body and spirit today and the worn part to the word feels particularly evocative of that knackered feeling. It’s potentially the first word in this writing series that conjures sculpture to mind. More post about The Daily Journeys We Wear to follow to pick up this thread..

Continuing to revisit The China Hall

“The China Hall is one of those buildings that on first stepping inside elicits gasps of wonder – with its high barrel-vaulted ceilings, immense space and visible remnants of its former industrious past.”

From British Ceramics Biennial website (delivered by The Clay Foundation)

I agree with the British Ceramics Biennial site description there’s certainly something about the sheer scale of this space. That work continues to be commissioned especially for it is especially wonderful.

Read more about my art practice

Growing a thicker skin

I’m developing a body of work called Carapace, they’re going to be armours, skins, husks… wearable hopefully. For this I’m experimenting with paper clay, how thin can I make it,…

New Work: Crustaceous Collection

I unloaded my kiln this morning and then cracked open a couple of saggar pots that had been fired with wood ash, banana skins and all manner of organic matter.…

Crustaceous…

I love the idea of having a hardened exterior. I definitely don’t permanently but it is a good feeling to be finding your shell again. This word also relates to…

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2015 2016 2017 2018 2020 Aesthetica Audience development Be Manzini Bloc Projects Bragazzis Cinema clay conference Covid 19 Dial F Emotion of the day Exhibition Fair familial film freelance freelancer London new work online online shop Open Studio Poetry reading Relic Sheffield Sheffield Creative Guild shop Skord studio The Daily Journeys We Wear The Hepworth Wakefield This Way Up throwing THWCCF THWCCF20 TWU20 work in progress Writing Yorkshire

Revisiting The China Hall, Old Spode Works

As part of the rebuilding plans for this site I wanted to make much better use of the reams of photos that document my past exhibitions. These were taken when I delivered my work to the British Ceramics Biennial in September 2013. The space was incredible, absolutely cavernous with so much of the last industry, an all encompassing culture, in evidence.

Read more about my art practice

The Furies research

Enjoying researching fury related words for my four protest badges. The words in the photo are taken from the etymology of forge, fray, fiery and fight.

Work in progress: Protest badges

Having fired the moulds taken from the plaster ceiling rose (see previous Instagram posts here and here) I pressed the first round of porcelain shapes today. The hands holding tools…

Honoured…

I felt very honoured to be featured by Aesthetica recently in a piece about sculpture evolving. Lacuna was longlisted for Aesthetica’s Art Prize in 2015. I remember being asked to…

Work in progress: Totem

A good studio session throwing porcelain for a new tall (taller than kiln) sculpture to be stacked over a cane for support.

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2015 2016 2017 2018 2020 Aesthetica Audience development Be Manzini Bloc Projects Bragazzis Cinema clay conference Covid 19 Dial F Emotion of the day Exhibition Fair familial film freelance freelancer London new work online online shop Open Studio Poetry reading Relic Sheffield Sheffield Creative Guild shop Skord studio The Daily Journeys We Wear The Hepworth Wakefield This Way Up throwing THWCCF THWCCF20 TWU20 work in progress Writing Yorkshire

Disinclination…

Emotion of the day number 13, with thanks to Be Manzini

… a tricky one to pin down this. I was trying to describe the seeking of distance or perspective to remove the immediate Covid related pressures, lack of autonomy, control, the mulling over micro decisions. A brief and cold trip to the allotment helped be reminded of things that follow a different rhythm. Here’s some of my Dwam figures weathering the recent storms.

Lassitude…

Emotion of the day number 12, with thanks to Be Manzini

… the longest lapse (four days) yet in this relatively new prompt to write and post daily. I was looking at weary and fatigued and came across this brilliant piece of text on the literal and figurative meanings of lassitude. It particularly won me over with the suggestion of neglect which nailed my sense I could have looked after myself a bit better and also my current preoccupations with how to best look after others.

Solemn…

Emotion of the day number 11, with thanks to Be Manzini

… in part recovering from a fraught day and also anticipating a trip to the dentist that could have been avoided. Focused the morning on moving a new project on and looking ahead to 2021 bringing a sense of sedate productiveness. Particularly enjoyed this expansion on sober when figuring out the right word for today.